2009 |
Swarm Gallery, Oakland, CA |
2008 |
Galeria Sztuki Wspólczesnej, Poland |
2007 |
Swarm Gallery, Oakland, CA |
2006 |
Kearny Street Workshop, San Francisco, CA |
2005 |
Rocket World Gallery, San Francisco, CA |
2004 |
Gen Art at Old Mint, San Francisco, CA |
2003 |
Pro Arts Gallery, Oakland, CA |
2002 |
The Atlanta Contemporary Art Center, Atlanta, GA |
2001 |
Asian American Arts Centre, New York, NY |
2000 |
Dupreau Gallery, Chicago, IL |
1998 |
Chicago Cultural Center, IL |
2008 |
Mission 17, San Francisco, CA |
2007 |
Mission 17, San Francisco, CA |
2007 -current |
The LAB, San Francisco, CA |
2005 |
RPS Gallery, Oakland, CA |
2004 |
Mission 17, San Francisco, CA |
2003 |
Pro Arts Gallery, Oakland, CA |
Square Cylinder, “Taro Hattori and Jordan Essoe @ Swarm” DeWitt Cheng, November 2009
Art Practical (Shotgun Review), “V” Stephanie Baker, November 2009
Art Voices, “The Great White” Jenelle Davis, September 2008
Artforum.com, “The Great White” Natalie Sciortino-Rinehart, August 2008
Gambit Weekly, “White Space” D. Eric Bookhardt, July 2008
Modern Painters, “INTERPLAY” Yasmine Van Pee, July 2008
Artweek, “Taro Hattori at Space 47” David Buuck, March 2008
Percolator Magazine, “Amidst the Ruins” Tonya Warner, March 2008
East Bay Express, “Quality in Quantity” Jakki Spicer, December 2007
Flash Art, “Blabbable Doodads” Alison Bing, July 2007
Berkeley Daily Planet, “The Fake Real of ‘Future Tense’” Peter Selz, July 2006
EGG Magazine, “Taro Hattori,” All that Glittering Issue, Rabbit Pei, February 2006
SF weekly, “Beaut Brute,” Sharon Mizota, December 2005
East Bay Express, “On The Wall: What's Happening in East Bay Art,” David Downs,November 2005
East Bay Express, “Scenes,” Bubble Trouble in Doubles, Kelly Vance, November 2005
San Francisco Bay Guardian, “Thirty Something,” Clark Buckner, July 2005
San Francisco Bay Guardian, “Kala Artists Annual Exhibition”, Clark Buckner, January, 2005
San Francisco Chronicle Online, “Happy Pack”, Alice Bing, September 2004
ArtWeek, “’Close Calls’ at Headlands Center for the Arts”, Mark Van Proyen, April 2004
East Bay Express, “This Week’s Day-by-Day Picks”, Kelly Vance, April 2004
Newsletter East Asian Art and Archaeology, University of Michigan, October 18, 2001
Art Monthly, Korea, “Exploring Banality and Potentials of Media Art”, Won-Kon Lee, July, 2001
Chicago Shimpo, “Immobility”, Hiroko Saito, March 14, 2001
New York Times, “2 Far 2 Close”, Holland Cotter, October 27, 2000
Chicago Shimpo, “SAIC group show”, Hiroko Saito, February 11, 2000
Chicago Reader, “Chicago’s Own: World Views”, Fred Camper, April 17, 1998
2009 |
UC Berkeley, “It's All About Image” a symposium , Berkeley, CA
|
2008 |
College Arts Association, “Art Blogging” a panel discussion, Dallas, TX |
2007 |
Yerba Buena Center for the Arts, San Francisco, CA |
2006 |
California State University at East Bay, Hayward, CA |
2005 |
Santa Clara University, Santa Clara, CA |
2004 |
Western Washington University, Bellingham, WA |
2003 |
Kala Art Institute, Berkeley, CA |
2002 |
The School of the Art Institute of Chicago, Chicago, IL |
2001 |
Korea Society, New York, NY |
2009 |
Headlands Center for the Arts, Sausalito, CA, Artist-in-Residence Award
|
2008 |
McColl Center for Visual Arts, Artist-in-Residence Award for 2009 |
2005 |
The 2005 Leah Middlebrook & Norio Sugano Fellowship, 2005 |
2004 |
Djerassi Resident Artists Program, Woodside, CA., Resident Artist for 2005 |
2003 |
Pro Arts Gallery, Oakland, IL. Fiscal Partnership |
2002 |
Kala Art Institute, Kala Fellowship Artist-in-Residence Award |
2000 |
Peter Miller Gallery, Chicago, IL. Represented Artist |
1998 |
INTERCOM, Gold Plaque Award in Student Narrative Section |
2000 |
The School of the Art Institute of Chicago, IL |
1994 |
Sophia University, Tokyo, Japan |